No Brush Project: Using no brushes, this is a recreation of an oil painting on a 4'x8' using only Rosco off-Broadway Vinyl Acrylic	Carved BOS relief with light Using one directional lighting to display the 3Dimmentional carving of the BOS relief.	Carved BOS relief This piece was caved out of a 2' x 2' x 2" piece of white foam. Using tools such as cheese grater, popsicle sticks, matt knives, fillet knives, dermal tools and sandpaper this image was grated after transferring a drawing onto the foam surface. After carving the surface was covered with a mixture of sculpt-a-coat, Rosco crystal gel, and water. Once dry the image was painted using a variety of Rosco Off Broadway paints and sealed with a thin layer of Rosco Flexbond.
Sign pounce This is a photo of the drawing used to create a pounce for the sign image flowing.	Lonely Sign Painting with 3 sizes This 4' x 4' piece of muslin was measured into 3 equal sections and primed with starch, animal glue, and white latex respectively. A pink marble was then painted across all three surfaces using Rosco Off Broadway Paints. Then using scenic ink in purple the sign image was transferred from the original drawing. Highlights and shadows where then added to create a 3-D image on the painted surface.	Tree of Life on scrim This image was painted using only black polyvinyl acrylic Rosco Off Broadway paint on white scenic scrim.
Tree of Life on velour This image was painted using Rosco Off Broadway paints on a deep green velour fabric.	Tree of Life (fuzzy gauze) This image was mage using Black Off Broadway scenic paint, as well as charcoal, and white chalk for highlights on fuzzy scenic gauze.	Drop Point Cabinet This image was made using charcoal, chalk, and colored chalk on brown paper. It was there taped to a wall to portray the realistic 3D perspective drawing of a cabinet on a 2 dimensional piece of paper.
Van Gogh Front A 7'6"x7'6" translucency of Van Gogh's "Midnight at the Cafe". Sized with animal glue in a Hudson external sprayer and a layin brush. It was painted using universal tints in black and white mixed with Minwax polycrylic. This image was sealed using a watered down Minwax Plycrylic solution. This image was taken before pulling up the staples and flipping the piece of muslin to paint a fully colored version of Van Gogh's "Midnight at the Cafe" on the revers .	Van Gogh Back A 7'6"x7'6" translucency of Van Gogh's "Midnight at the Cafe". Sized with animal glue in a Hudson external sprayer and a layin brush. It was painted using Rosco Supper Saturated scenic paints mixed with Minwax polycrylic. Also, textured rollers with a watered down Minwax ploycrylic solution were used to bring out the original artist's brush texture between layers of color. This painting was also sealed using a watered down Minwax Plycrylic solution.	Van Gogh Translucency This is a front lit image of Van Gogh's "Midnight at the Cafe". It was painted in gray scale.
Van Gogh Translucency (Back Lit) This is a back lit image of Van Gogh's "Midnight at the Cafe". It was painted in full color to resemble the original painting by the above mentioned artist.	3D Crypt The Mystery of Edwin Drood UNCSA 2012 - surfaced "gooped" with joint compound and latex paint - detail drawn on with charcoal and then lined with black sharpie - using glazes of off broadway polyvinyl acrylic to fill in stone detailing	2D Crypt The Mystery of Edwin Drood UNCSA 2012 - Surface textured and base coated with joint compound and blue latex paint - image drawn on using charcoal then filled in with black sharpie for "scenic ink" - Using glazes of Rosco Off Broadway Polyvinyl acrylic paint to fill in stone detailing. In the image, we are filling in the edges with black latex paint for a clean look.
Can Can Girls process photo La Ronda UNCSA 2012 - Drawing perforated and transferred onto medium weight muslin - Base coated with white latex paint - Color and detail painted using Off Broadway Poly Vinyl Acrylic paint	Translucency Backdrop La Ronda UNCSA 2012 The sky in the image is translucent All the water and trees are opaque